Monday, January 6, 2020

Comparing Leonardo Da Vinci with Michelangelo - 1798 Words

Leonardo Da Vinci and Michelangelo Buonarroti were, and still are considered to be two of the greatest minds, even geniuses of the Renaissance. But which one is more of a genius than the other? Leonardo Da Vinci was born on April 15th, 1452, son to a notary called Ser Piero. Ser Pier has sex with a woman called Catarina, which resulted in her pregnancy. For a believed reason that Catarina was the Daughter of a farmer, they never got married. Ser Pier later married another woman, when he was 25, which is the time Leonardo was born. As for Michelangelo, he was born on March 6, 1475, to a father called Ludovico, and a mother named Francesca, who was not capable of taking care of him. She sent her son to a family of stone cutters, and whose†¦show more content†¦The bridge worked and has a very modern shape. These two superb artists are so much alike, yet they are very different as well. Michelangelo had his very own aspects which made him a unique person. Michelangelo was a person brilliant in sculptures only. On august 4, 1983, Pope Julius II Della Rovere told Michelangelo to paint the Sistine Chapel. Although never experienced with paint, especially fresco painting, he painted the whole ceiling by himself, standing up while most painters that painted ceilings did it lying on their backs. He asked his old friend Francesco Granacci to help him, as well as four other fresco painters. However, when he saw that they werent as good as he thought, and have the imagination he wanted, he dismissed them and continued by himself. All he had was two men that helped make the paint. Michelangelo was very bad at mathematics, and languages. He failed to learn how to speak Latin, which was taught to most nobles in Italy. After being taught by Ghirlandaio, he soon excelled to being even better than his teacher, and walking his own path and trying new things. Rock is one of the hard est objects to work, and craft with. However, for Michelangelo, he turned a piece of dull marble, or other rock, into a work of art. It would be impossible to find a body showing greater mastery of art possessing more beautiful members, or a nude with more detail in the muscles. Veins, and nerves .... His work was so amazing, you couldShow MoreRelatedThe School of Athens1549 Words   |  7 Pagesmeeting Leonardo Da Vinci, his style expanded once again. There were other artists in Florence that aided Raphael while he was busy honing his style. One in particular, Fra Bartolommeo, most noticeably influenced Raphael’s technique. â€Å"From him Raphael learnt to replace the fragile grace of Perugino with a more measured movement, far ampler draperies, more gravity and grandeur.† Raphael also studied sculpture while in Florence. He poured over the many great works of both Donatello and Michelangelo. HisRead MoreDifference Between Baroque Art And Renaissance Art843 Words   |  4 Pagesemotional intensity and viewer involvement. 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In 1508 Raphael was called to Rome by Pope Julius II and commissioned to execute frescoes in four small stanze, or rooms, of the VaticanRead MoreEssay The School of Athens2445 Words   |  10 Pagesperiod are executed in styles so similar that art historians have found it difficult to determine which were painted by Raphael. In 1504 Raphael moved to Florence, where he studied the work of such established painters of the time as Leonardo da Vinci and Michelangelo, learning their methods of representing the play of light and shade, anatomy, and dramatic action. In 1508 Raphael was called to Rome by Pope Julius II and commissioned to execute frescoes in four small stanze, or rooms, of the VaticanRead MoreThe Influence Of The Teenage Mutant Ninja Turtles1785 Words   |  8 PagesThe names of the Teenage Mutant Ninja Turtles are familiar to everyone’s inner child: Michelangelo, Raphael, Donatello, and Leonardo. However, the actual people after whom the ninjas are named were resplendent artists of the fifteenth and sixteenth centuries, and each of these men had a profound effect on the trajectory of art. During the Renaissance (late 1400s-1600s), an era of society emerging towards a new way of considering the world through artistic study, the marvelous coalition of citizens

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